Frank & Eileen

Paul Jacoulet L'Etoile De Gobi Mongolia Woodblock Print 1951

Description: Artist: Paul Jacoulet (1902-1960) Woodblock Print Title: L'etoile de Gobi, Mongole 1st Publication: 1951 Size: 18 1/2" x 14 1/8" Image size: 15 1/2" x 11 3/4" Date of this edition: 1951 Publisher: Self Published Condition: Very Good, Missing bottom right corner, age related paper discoloration. Notes: Limited edition. Hand signed and numbered 252 out of 350. Unframed. About the Artist: Born in France, Paul Jacoulet was taken to Japan by his parents in 1906, and it was in Japan that he spent the rest of his life. Afforded a comfortable upbringing, young Paul was tutored in the arts and studied Japanese brushwork as well as Western style painting. As Jacoulet grew up, he immersed himself in Japanese culture. Kabuki, the ballad-drama, Joruri, and collecting antique Japanese prints became his passions. Beginning in his thirties, he traveled extensively. He was captured by the islands of the South Seas and also spent time in Manchuria and Korea. People met in these travels often appear in his prints and contribute to the exotic character of his work. Jacoulet turned out, in some cases, to be the only chronicler of villagers whose villages, and even islands, have effectively ceased to exist. Art historian Richard Miles believes Paul Jacoulet considered his works “serious attempts to depict a world that was not ‘floating’ in the widely accepted sense of transitory pleasure, but an actually dying world of rather sad, imperfect people, observed with merciless clarity.” Jacoulet assembled the finest carvers and printers in Japan and began making woodblock prints in 1934. He completed fewer than one hundred and seventy known images in his lifetime, and this show is fairly representative of his oeuvre. His work is widely collected and represents the apex in technical accomplishment of the woodblock art form. It demonstrates not only Jacoulet’s sensibility and compassion but also his devotion to refinement and taste and the renaissance of Japanese woodblock prints in the twentieth century. Paul Jacoulet (1902–1960) was a French, Japan-based woodblock print artist known for a style that mixed the traditional ukiyo-e style and techniques developed by the artist himself. Biography Jacoulet was born in Paris in 1902 and lived in Japan for most of his life. During World War II, he moved to Karuizawa, where he survived in the countryside by growing vegetables and raising poultry. During the occupation, at the request of General Douglas MacArthur, he was recruited by Commandant Charles McDowell to work at the Tokyo Army College. MacArthur would join Greta Garbo, Pope Pius XII and Queen Elizabeth II, as a prominent collector of Jacoulet's work. Jacoulet prints are rare and often sell in the $5,000 to $20,000 range. The Parisian Lady, a print from 1934, sold for $25,000 at auction.[1] Paul Jacoulet's (1902–1960) creative period was 1939-1960. Jacoulet is considered one of the few western artists to have mastered the art of woodblock printing sufficiently to be recognized in Japan. His works are almost all of people, either portraits or full body images capturing some background details. He has had a number of exhibits in the years since his death including two at the Pacific Asia Museum in Pasadena (1983 and 1990), the Yokohama Art Museum (1996 and 2003), the Riccar Museum in Tokyo (1982), and the Isla Center for the Arts on Guam (1992 and 2006). He also achieved some recognition in his lifetime including an exhibit sponsored by the US Fifth Air Force (in 1946 according to Time Magazine). Two complete catalogues of his woodblock prints exist (one in English and one in Japanese with some English) as well as exhibition books and posters from all his exhibits. The earliest book about him was written during his lifetime (Wells, 1957) and includes the original desperation prices for which he sold his work at that time. Many prints are very rare because all Jacoulet’s pre-World War II work that had not already been taken out of the country by collectors was destroyed by fire. Jacoulet was a true renaissance man –French but born and raised in Japan, expert in Kabuki, proficient on traditional Japanese musical instruments, a good calligrapher, conversant in several languages, and a recognized butterfly collector. Growing up in Tokyo he was the next door neighbor of Ukiyoe authority Yone Noguchi; he was taught English by Noguchi's American wife, Leonie Gilmour, and befriended their son, the young Isamu Noguchi. Jacoulet’s father was an ambassador so Paul was widely traveled and was doted upon by his mother. She supported his artistic endeavors all her life. She believed that if French Polynesia was good for Paul Gauguin, then Jacoulet must go there too. She sent him away many winters from Japan to various islands in Micronesia, Indonesia, and the Philippines. Although his most valued works are from this part of the world, he also has a substantial number of prints with subjects from China, Korea, all areas of Japan, and Mongolia. Just one print depicts an American. Jacoulet's works are also interesting to anthropologists. First because his subject matter was indigenous people in their traditional dress. In 1939 traditional people were the norm in his travels. Today his work is often used as a basis for reconstructing, for example, what Ainu traditional dress looked like by the Ainu themselves in their quest to reconnect with their cultural roots. Second, some of the subjects who posed for Jacoulet are still alive and they are currently being interviewed by a professor in Guam (Donald Rubinstein) to learn more about his artistic process. Jacoulet was a shameless self-promoter and he sent prints to famous people to enhance his reputation. Mrs. Douglas MaArthur received an annual Christmas gift and his work hung in the General’s headquarters in Tokyo and later at the Waldorf-Astoria. Jacoulet was a flamboyant gay man at a very early date to be out, and his sexual orientation and gender fluidity are clearly reflected in his work. Near the end of his life Jacoulet was barred from entering the US due to his “undesirability” as a gay person. Undeterred, he dressed up in a white suit with a silver headed cane and walked into the US at Niagara Falls.

Price: 1800 USD

Location: Lemon Grove, California

End Time: 2024-12-27T23:01:47.000Z

Shipping Cost: N/A USD

Product Images

Paul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet LPaul Jacoulet L

Item Specifics

All returns accepted: ReturnsNotAccepted

Artist: Paul Jacoulet

Type: Print

Year of Production: 1951

Color: Multi-Color

Style: Asian

Material: Woodcut & Block

Features: Framed, Matted, Signed

Original/Licensed Reprint: Limited Edition Print

Production Technique: Woodblock Printing

Subject: Asia

Print Surface: Paper

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