Marion Brown "Afternoon of a Georgia Faun" CD with Anthony Braxton, Chick Corea

Description: Here we have an absolute masterpiece of what used to be called New Thing jazz, from the heart, soul and horn of alto sax giant MARION BROWN: Afternoon of a Georgia Faun, first released in 1970 by ECM, issued on CD many years later. Two vastly different side-long tracks, each exploding with ideas and creativity. One only needs to check out the personnel to know the kind of quality we're dealing with here: Marion Brown (alto saxophone, zomari) Anthony Braxton (soprano and alto saxophones, clarinet, contrabass clarinet, musette, flute), Bennie Maupin (tenor saxophone, alto flute, bass clarinet, acorn, bells, wood flute), Jeanne Lee (vocals), Chick Corea (piano), Andrew Cyrille (drums), and Jack Gregg (bass). All the musicians add percussion at key places... and several more percussionists are added to the group for the second track, "Djinji's Corner." As for the music itself, Brian Olewnick's review at AllMusic is so spot-on that I'm running the whole thing below (thanks, Brian). The Afternoon of a Georgia Faun CD was never issued in the States (for shame!) and this German import has been out of print for ages. This copy is near mint. Track list Afternoon Of A Georgia Faun (17:00) Djinji's Corner (18:04) Difficult as it may be for younger listeners to believe, there was a time when ECM released adventurous improvised music. Back near its inception in the early '70s, the label issued a wide variety and decent number of challenging avant-garde recordings that represented some of the most forward-looking musical thinkers of the time. One of these was Marion Brown, who, at the time of this session, was about midway between his extreme post-Coltrane explorations and the luscious, down-home evocations of Georgia that he would create for Impulse! over the next few years. He gathered 11 musicians, including a couple from the then current Miles Davis Bitches Brew band (Chick Corea and Bennie Maupin), the then little-known Anthony Braxton, Andrew Cyrille, and the late, great vocalist Jeanne Lee for two side-long, wide-ranging pieces. The first, the title track, is a wonderful, percussive evocation of pastoral Georgia, something along the lines of what the Art Ensemble of Chicago were doing around the same time, but without the satire and with a greater sense of serenity. As the flutes, reeds, voice, and piano enter, there is no idea of "soloing"; instead, each contributes to the ongoing, evolving texture of the piece, creating a fabric that's as cohesive as it is unplanned. The remaining cut, "Djinji's Corner," is a bit more fleshed out, a little more "traditional" in one way, though still quite unusual for the time. Again, a reference point might be Art Ensemble works from around the same time, here a mélange of free horns and intense percussion, with Jeanne Lee soaring over the top, mixing words and glossolalia, similar to her stellar work on Carla Bley's Escalator Over the Hill. The effect is more eerie and spiritually infused than the preceding piece, with keening, bowed cymbals and deep pulses from the lower clarinet family. It gradually builds to something of a frenzy, but in an unforced manner that shows it to be merely another approach to the territory explored earlier. Afternoon of a Georgia Faun is a lovely, inspired album, a key work in Marion Brown's oeuvre and a recording that belongs in any collection of contemporary jazz. ~ Brian Olewnick, AllMusic

Price: 30 USD

Location: Brentwood, California

End Time: 2024-12-03T09:01:39.000Z

Shipping Cost: 5 USD