Description: Shipping: All items will be packed safely in a sturdy package for safe shipping.We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day.INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the "ADD TO CART" button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola RecordsClick this link for more great early McCormack ODEONS, Victors and HMVs in my other listings!Click this link for more great Opera and Vocal Records in my other listings! Great performance by John McCormack in one of his first Victor sessions in two Scottish Ballads Annie Laurie William Douglas (author) Lady John Douglas Scott (composer) John McCormack (vocalist : tenor vocal) Victor Orchestra (Musical group) 3/4/1910 Camden, New Jersey 1 Master Victor 740Mary of Argyle Sidney Nelson (composer) Charles Jefferys (lyricist) John McCormack (vocalist : tenor vocal) 4/7/1914 Camden, New Jersey 1 Master Victor 740Great Victor Batwing 10" 78 rpm record Condition:EXCELLLENT MINUS unworn but rubbed, plays E - very quiet lightest crackleA GREAT COPYWritten by Charles Jefferys (1807-1865), music by Sydney Nelson (1800-1862), this is a traditional Scottish Song. It is not known when it was first published - possibly during the 1850s. Confusingly, despite the fact that this song is referred to as a Scottish song, both composers were in fact Englishmen. According to popular history, the "Mary" here refers to 'Highland Mary', a Scottish dairymaid who was Robert Burns' sweetheart. She died at the age of 23LYRICS:I have heard the mavis singingHis love song to the mornI have seen the dew drop clingingTo the rose just newly bornBut a sweeter song has cheered meAt the evening's gentle closeAnd I've seen an eye still brighterThan the dew drop on the rose'Twas thy voice my gentle MaryAnd thine artless, winning smileThat made this world an EdenBonnie Mary of Argyle.Tho' thy voice may lose its sweetnessAnd thine eye its brightness tooTho' thy step may lack its fleetnessAnd thy hair its sunny hueStill to me wilt thou be dearerThan all the world shall ownI have loved thee for thy beautyBut not for that aloneI have sought thy heart, dear MaryAnd its goodness was the wileThat made thee mine foreverBonnie Mary of Argyle. John McCormack (14 June 1884 û 16 September 1945), was a world-famous Irish tenor and recording artist, celebrated for his perfomances of the operatic and popular song repertoires, and renowned for his flawless diction and superb breath control.[1] Early lifeJohn Francis McCormack was born in Athlone, Ireland, the fourth of eleven children of Andrew McCormack and Hannah Watson[2] on 14 June 1884, and was baptised in St. Mary's Church, Athlone on 23 June 1884. His parents were employed at the Athlone Woollen Mills. John received his early education from the Marist Brothers in Athlone, and later attended Summerhill College, Sligo. In 1903 he won the coveted gold medal in the Dublin Feis Ceoil and it was this event which set him on his climb to success. John married Lily Foley in 1906 and the couple had two children, Cyril and Gwen. [edit] CareerFundraising enabled his voice to be trained under Sabbatini in Italy. In 1906 he made his operatic dTbut at the Teatro Chiabrera, Savona. In 1907 John McCormack made his first important operatic appearance at Covent Garden in Mascagni's Cavalleria Rusticana, as its youngest principal tenor. In 1909 he launched his career in America. Michael Scott ("The Record of Singing" 1978) notes that at this stage of his career he should be considered a tenor of the Italian style - and he sang (and recorded) French operatic arias in the Italian language. Steane ("The Grand Tradition" 1971) stress that, for all his later devotion to the concert platform (and his Irish identity), he was for albeit a relatively brief period in essence an Italian operatic tenor. In 1911, McCormack toured Australia after Nellie Melba engaged him, then at the height of his operatic career aged 27, as a star tenor for the Melba Grand Opera Season. He returned for concert tours in subsequent years. By 1912 he began to turn his attention increasingly to the concert stage, where his voice quality and charisma ensured that he became the greatest lyric tenor of his day. He did not however retire from the operatic stage until 1923 in Monte Carlo (see biography below). Famous for his breath control, he could sing 64 notes on one breath in Mozart's Il Mio Tesoro. He made numerous recordings, the first on phonograph cylinder in 1904. His most commercially successful series of records were those for the Victor Talking Machine Company in the 1910s and 1920s. He also regularly broadcast on the radio and appeared in a number of sound films. John McCormack in the 5000 seat New York Hippodrome c.1915-1916McCormack was the first artist to record the World War I hit song It's a Long Way to Tipperary, in 1914. In addition to deeply felt sentimental airs, he presented an openly political face: his recording of The Wearing of the Green, a song about the Irish rebellion of 1798, gave encouragement to the 20th century movement for Irish Home Rule Bill and endorsed the Irish Nationalist estrangement from England. McCormack was particularly associated with the songs of Thomas Moore, notably The Harp That Once Through TaraÆs Halls, The Minstrel Boy, Believe Me If All (Those Endearing Young Charms), and The Last Rose of Summer. In 1917 McCormack became a naturalized citizen of the United States. In June 1918 he donated $11,458 towards the USA's war effort in the First World War. By now his career was a huge financial success, earning millions in his lifetime from record sales and appearances, though he never was invited to sing at La Scala in Milan. In 1927 McCormack moved into Moore Abbey, Monasterevan, County Kildare and lived an opulent life by Irish standards. He had central apartments in London and New York. He hoped that one of his racehorses, such as Golden Lullaby, would win the Epsom Derby, but was unlucky. McCormack also bought Runyon Canyon in Hollywood in 1930 from Carman Runyon. McCormack fell in love with the estate while there filming Song 0' My Heart (1930)[3], an early all-talking, all-singing picture. McCormack's used his salary for this movie to purchase the estate and built a mansion he called 'San Patrizio', after Saint Patrick. McCormack and his wife lived in the mansion until they returned to England in 1938. McCormack toured often, and in his absence the mansion was often rented out to celebrities such as Janet Gaynor and Charles Boyer. The McCormacks made many friends in Hollywood, among them Will Rogers, John Barrymore, Basil Rathbone, C. E. Toberman and the Dohenys. After his farewell tour of America in 1937, the McCormacks deeded the estate back to Carman Runyon expecting to return to the estate at a later date. World War II intervened and McCormack did not return. McCormack ended his career at the Royal Albert Hall in London in 1938. Ill with emphysema, he bought a house near the sea, "Glena" , Booterstown, Dublin.[4] He is buried in Deansgrange Cemetery. Grave of John McCormack [edit] HonoursHe was much honoured and decorated for his services to the world of music. His greatest honour came in 1928, when he received the title of Papal Count from Pope Pius XI in recognition of his work for Catholic charities. His title as count was formally recognised by the Holy See and the Kingdom of Italy (from 1929). To many people the highlight of McCormack's Irish career was his singing of CTsar Franck's Panis Angelicus to the thousands who thronged Dublin's Phoenix Park for the 1932 Eucharistic Congress. 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Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise."EXCEPTIONALLY QUIET" is close to noiseless, like a vinyl pressing."VERY QUIET" is an above average quiet record for a given pressing."Quiet" is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don't like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit's eCommerce Solution
Price: 12.99 USD
Location: San Francisco, California
End Time: 2024-11-09T18:33:22.000Z
Shipping Cost: 7.49 USD
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Restocking Fee: No
Return shipping will be paid by: Buyer
All returns accepted: Returns Accepted
Item must be returned within: 30 Days
Refund will be given as: Money Back
Artist: CLICK RIGHT ARROW > FOR CONDITION, John McCormack
Format: Record
Material: Shellac
Type: Single
Genre: Classical, Opera
Record Label: RCA Victor
Record Size: 10"
Style: A Capella, Aria, Ars Nova, Ballad, Barcarolle, Canon, Cantata, Canzona, Chorale, Duet, Eastern European Music, Elegy, Film Score/Soundtrack, France & Belgium, French Music & Chansons, German music, Germany & Austria, Italian Music, Lied, Lullaby, Madrigal, Mass, Motet, Musical/Original Cast, Oratorio, Requiem, Russian Music, Spanish Music, Traditional & Vocal, Vocal
Speed: 78 RPM
Release Title: SCOTTISH Ballad MARY OF ARGYLE/ Annie Laurie
Language: English, Irish, Italian
Catalog Number: 740
