Description: 1904 ROMANCE LOVE MARRIAGE AMERICAN CHARLES DANA GIBSON ART INSERT PRINT FC3478 DATE OF THIS ** ORIGINAL ** ITEM: 1904THIS IS A TWO-PAGE FOLDED INSERT PRINT FROM THE CENTER OF AN ORIGINAL LIFE MAGAZINE. THE CENTERFOLD MAY SHOW SOME PIN HOLES / WEAR FROM THE BINDING, BUT A GOOD PAPER CONSERVATOR CAN EASILY REPAIR THIS AND MAKE IT PRESENTABLE FOR FRAMING. PLEASE LOOK OVER THE ITEM CAREFULLY FOR SIZE AND CONDITION! ILLUSTRATOR/ARTIST: Charles Dana Gibson (September 14, 1867 – December 23, 1944) was an American illustrator who created the Gibson Girl, an iconic representation of the beautiful and independent American woman at the turn of the 20th century. He published his illustrations in Life magazine and other major national publications for more than 30 years, becoming editor in 1918 and later owner of the general interest magazine. Gibson was born in Roxbury, Massachusetts on September 14, 1867. He was a son of Josephine Elizabeth (née Lovett) and Charles DeWolf Gibson.[He had five siblings [3] and was a descendant of U.S. Senators James DeWolf and William Bradford. A talented youth with an early interest in art, Gibson was enrolled by his parents in New York City's Art Students League, where he studied for two years. Peddling his pen-and-ink sketches, Gibson sold his first work in 1886 to Life magazine, founded by John Ames Mitchell and Andrew Miller. It featured general interest articles, humor, illustrations, and cartoons. His works appeared weekly in the popular national magazine for more than 30 years. He quickly built a wider reputation, with his drawings being featured in all the major New York publications, including Harper's Weekly, Scribners and Collier's. His illustrated books include the 1898 editions of Anthony Hope's The Prisoner of Zenda and its sequel Rupert of Hentzau as well as Richard Harding Davis' Gallegher and Other Stories. It is an oft-repeated urban legend that Gibson's wife and her elegant Langhorne sisters inspired his famous Gibson Girls, who became iconic images in early 20th-century society. The truth is that the first Gibson Girl appeared in 1890, more than two years before Gibson ever met the Langhorne family, and in later years it became fashionable for many of Gibson's friends and family to model for his illustrations. Their dynamic and resourceful father Chiswell Langhorne had his wealth severely reduced by the Civil War, but by the late 19th century, he had rebuilt his fortune on tobacco auctioneering and the railroad industry. After the death of John Ames Mitchell in 1918, Gibson became editor of Life and later took over as owner of the magazine. As the popularity of the Gibson Girl faded after World War I, Gibson took to working in oils for his own pleasure. In 1918, he was elected into the National Academy of Design as an Associate member, and became a full Academician in 1932. He retired in 1936, the same year Scribner's published his biography, Portrait of an Era as Drawn by C. D. Gibson: A Biography by Fairfax Downey. At the time of his death in 1944, he was considered "the most celebrated pen-and-ink artist of his time as well as a painter applauded by the critics of his later work." On November 7, 1895, Gibson was married to Irene Langhorne (1873–1956), a daughter of railroad industrialist Chiswell Langhorne. Irene was born in Danville, Virginia, and was one of five sisters, all noted for their beauty, including Nancy Astor, Viscountess Astor, the first woman to serve as a Member of Parliament (MP) in the House of Commons of the United Kingdom. Irene and Charles were the parents of two children: Irene Langhorne Gibson (1897–1973), who married George Browne Post III (1890–1952), a grandson of architect George B. Post, in 1916. They divorced and she married real estate developer John Josiah Emery (1898–1976) in 1926. Langhorne Gibson (1899–1982), who married Marion Taylor (1902–1960) in 1922. He later married Parthenia Burke Ross (1911–1998) in 1936. For part of his career, Gibson lived in New Rochelle, New York, a popular art colony among actors, writers and artists of the period. The community was most well known for its unprecedented number of prominent American illustrators. Gibson also owned an island off Islesboro, Maine which came to be known as 700 Acre Island; he and his wife spent an increasing amount of time there through the years. Gibson died of a heart ailment in 1944, aged 77, at 127 East 73rd Street, his home in New York City. After a private funeral service at the Gibson home in New York, he was interred at Mount Auburn Cemetery in Cambridge, Massachusetts. His widow died at her home in Greenwood, Virginia in April 1956 at the age of 83. Almost unrestricted merchandising saw his distinctive sketches appear in many forms. The Gibson cocktail has been claimed to be named after him, as it is said he favored ordering gin martinis with a pickled onion garnish in place of the traditional olive or lemon zest. SPECIAL CHARACTERISTICS/DESCRIPTIVE WORDS: SHOCKING MR TAGG LEARNS THAT HIS DAUGHTER IS GOING TO MARRY AN AMERICAN Life is an American magazine published weekly from 1883 to 1972, as an intermittent "special" until 1978, a monthly from 1978 until 2000, and an online supplement since 2008. During its golden age from 1936 to 1972, Life was a wide-ranging weekly general-interest magazine known for the quality of its photography, and was one of the nation's most popular magazines, regularly reaching one-quarter of the population. Life was published independently for its first 53 years until 1936 as a general-interest and light entertainment magazine, heavy on illustrations, jokes, and social commentary. It featured some of the most important writers, editors, illustrators and cartoonists of its time: Charles Dana Gibson, Norman Rockwell and Jacob Hartman Jr. Gibson became the editor and owner of the magazine after John Ames Mitchell died in 1918. During its later years, the magazine offered brief capsule reviews (similar to those in The New Yorker) of plays and movies running in New York City, but with the innovative touch of a colored typographic bullet resembling a traffic light, appended to each review: green for a positive review, red for a negative one, and amber for mixed notices. In 1936, Time publisher Henry Luce bought Life solely for its title, and greatly redesigned the publication. LIFE (stylized in all caps) became the first all-photographic American news magazine, and it dominated the market for several decades, with a circulation peaking at over 13.5 million copies a week. One striking image published in the magazine was Alfred Eisenstaedt's photograph of a nurse in a sailor's arms, taken on August 14, 1945, during a VJ-Day celebration in New York's Times Square. The magazine's role in the history of photojournalism is considered its most important contribution to publishing. Its prestige attracted the memoirs of President Harry S. Truman, Prime Minister Winston Churchill, and General Douglas MacArthur, all serialized in its pages. After 2000, Time Inc. continued to use the Life brand for special and commemorative issues. Life returned to regularly scheduled issues as a weekly newspaper supplement from 2004 to 2007. The website life.com, originally one of the channels on Time Inc.'s Pathfinder service, was for a time in the late 2000s managed as a joint venture with Getty Images under the name See Your World, LLC. On January 30, 2012, the Life.com URL became a photo channel on Time.com. Life was founded on January 4, 1883, in a New York City artist's studio at 1155 Broadway, as a partnership between John Ames Mitchell and Andrew Miller. Mitchell held a 75% interest in the magazine with the remaining 25% held by Miller. Both men retained their holdings until their deaths. Miller served as secretary-treasurer of the magazine and managed the business side of the operation. Mitchell, a 37-year-old illustrator who used a $10,000 inheritance to invest in the weekly magazine, served as its publisher. He also created the first Life name-plate with cupids as mascots and later on, drew its masthead of a knight leveling his lance at the posterior of a fleeing devil. Then he took advantage of a new printing process using zinc-coated plates, which improved the reproduction of his illustrations and artwork. This edge helped because Life faced stiff competition from the best-selling humor magazines Judge and Puck, which were already established and successful. Edward Sandford Martin was brought on as Life's first literary editor; the recent Harvard University graduate was a founder of the Harvard Lampoon. The motto of the first issue of Life was: "While there's Life, there's hope." The magazine was a success and soon attracted the industry's leading contributors, of which the most important was Charles Dana Gibson. Three years after the magazine was founded, the Massachusetts native first sold Life a drawing for $4: a dog outside his kennel howling at the Moon. Encouraged by a publisher, also an artist, Gibson was joined in Life early days by illustrators such as Palmer Cox (creator of the Brownie), A. B. Frost, Oliver Herford and E. W. Kemble. Life's literary roster included the following: John Kendrick Bangs, James Whitcomb Riley and Brander Matthews. Mitchell was accused of anti-Semitism at a time of high rates of immigration to New York of eastern European Jews. When the magazine blamed the theatrical team of Klaw & Erlanger for Chicago's Iroquois Theater Fire in 1903, many people complained. Life's drama critic, James Stetson Metcalfe, was barred from the 47 Manhattan theatres controlled by the Theatrical Syndicate. Life published caricatures of Jews with large noses. Several individuals would publish their first major works in Life. In 1908 Robert Ripley published his first cartoon in Life, 20 years before his Believe It or Not! fame. Norman Rockwell's first cover for Life magazine, Tain't You, was published May 10, 1917. His paintings were featured on Life's cover 28 times between 1917 and 1924. Rea Irvin, the first art director of The New Yorker and creator of the character "Eustace Tilley", began his career by drawing covers for Life. This version of Life took sides in politics and international affairs, and published pro-American editorials. After Germany attacked Belgium in 1914, Mitchell and Gibson undertook a campaign to push the U.S. into the war. Gibson drew the Kaiser as a bloody madman, insulting Uncle Sam, sneering at crippled soldiers, and shooting Red Cross nurses. Following Mitchell's death in 1918, Gibson bought the magazine for $1 million, but the end of World War I had brought on social change. Life's brand of humor was outdated, as readers wanted more daring and risque works, and Life struggled to compete. A little more than three years after purchasing Life, Gibson quit and turned the decaying property over to publisher Clair Maxwell and treasurer Henry Richter. Gibson retired to Maine to paint and lost interest in the magazine. In 1920, Gibson selected former Vanity Fair staffer Robert E. Sherwood as editor. A WWI veteran and member of the Algonquin Round Table, Sherwood tried to inject sophisticated humor onto the pages. Life published Ivy League jokes, cartoons, flapper sayings and all-burlesque issues. Beginning in 1920, Life undertook a crusade against Prohibition. It also tapped the humorous writings of Frank Sullivan, Robert Benchley, Dorothy Parker, Franklin Pierce Adams and Corey Ford. Among the illustrators and cartoonists were Ralph Barton, Percy Crosby, Don Herold, Ellison Hoover, H. T. Webster, Art Young and John Held, Jr. Life had 250,000 readers in 1920, but as the Jazz Age rolled into the Great Depression, the magazine lost money and subscribers. By the time Maxwell and editor George Eggleston took over, Life had switched from publishing weekly to monthly. The two men went to work revamping its editorial style to meet the times, which resulted in improved readership. However, Life had passed its prime and was sliding toward financial ruin. The New Yorker, debuting in February 1925, copied many of the features and styles of Life; it recruited staff from its editorial and art departments. Another blow to Life's circulation came from raunchy humor periodicals such as Ballyhoo and Hooey, which ran what can be termed "outhouse" gags. In 1933, Esquire joined Life's competitors. In its final years, Life struggled to make a profit. Announcing the end of Life, Maxwell stated: "We cannot claim, like Mr. Gene Tunney, that we resigned our championship undefeated in our prime. But at least we hope to retire gracefully from a world still friendly." Life was an American magazine of humor, commentary, and entertainment founded by John Ames Mitchell in the 19th century. (He also edited it for the majority of its run, until his death.). Life began in 1883. No issue copyright renewals were found for this serial. The first copyright-renewed contribution is from June 14, 1929. In 1936, the magazine was bought by Henry Luce of Time, Inc., who launched a new magazine with the same name but completely different staff and subscription base. 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